To visualise old Jerusalem at the peak of its power, look down on the outdoor scale model of the ancient city at the Israel Museum.
The time is AD 66, the fateful year the Great Revolt against the Romans erupted, resulting in the destruction of the city and the Temple built by Herod the Great. All that’s missing from buildings of Jerusalem limestone are the people.
This is also the time when Christianity was in its formative stages and the Dead Sea Scrolls — now housed in the museum’s Shrine of the Book — were being created.
The crucifixion of Jesus Christ was only 36 years before, and the mound of Calvary can be seen just outside the Second Wall (but well inside the new north wall begun by Herod Agrippa I).
The ancient city was then at its largest, spreading over 180 hectares — more than twice the size of the present Old City.
Archaeologists and historians contributed
Construction of the Model of Ancient Jerusalem was undertaken in the 1960s by Hans Kroch, owner of the Holyland Hotel, in memory of his son Jacob, who was killed in Israel’s War of Independence.
Originally in the grounds of the hotel, it was transported in 1000 pieces to its present site, 5km away, in 2006.
The model covers nearly 4000 square metres, using a scale of 1:50. A human figure on this scale would be about 35 millimetres high.
Archaeologists (principally Professor Michael Avi-Yonah of the Hebrew University of Jerusalem), historians and architects contributed their expertise to the re-creation of ancient Jerusalem.
The main sources used were writings from the Roman period, construction techniques used in ancient cities similar to Jerusalem, and archaeological discoveries from Jerusalem itself.
Subsequent excavations in Jerusalem have enabled the model to be refined and updated archaeologically.
Imagination augmented archaeology
Archaeologist Jerome Murphy-O’Connor says many arbitrary decisions had to be made in the construction of the model, “and imagination often supplied what the texts or archaeologist’s trowel could not provide. The model, therefore, is a hypothesis, a vision of the city as it might have been, and not all elements carry the same guarantee.”
According to Murphy-O’Connor, “The portrayals of the Temple and of the Palace of Herod are excellent, but the presentation of the northern part of the city is almost certainly wrong. The line assumed by the northernmost wall of the model rests on inadequate archaeological evidence, and all the buildings it encloses are the product of pure imagination.”
Another feature which appears to lack archaeological basis is the red-tile roofing. No roof tiles have been found in excavations of Jerusalem, however there are too many tiles in the model to make a change.
Visitors may walk around the model, though there is no protection from sun or rain. They are not allowed to walk inside the walls.
Administered by: The Israel Museum
Open: Sun, Mon, Wed, Thurs 10am–5 pm; Tues 4–9 pm (Aug 10am-9pm); Fri and holiday eves 10am–2pm; Sat and holidays 10am–5pm
PHOTO CREDITS: Where the images on this page are not created by Seetheholyland.net, links to the sources can be found on our Attributions page.
Lefkovits, Etgar: “Second temple model to link history, archaeology”, Jerusalem Post, May 25, 2006
Miriam Simon: “Jerusalem’s Glory Days”, Eretz, September-October 2006
Blaiklock, E. M.: Eight Days in Israel (Ark Publishing, 1980)
Murphy-O’Connor, Jerome: The Holy Land: An Oxford Archaeological Guide from Earliest Times to 1700 (Oxford University Press, 2005)